TO  ALEXANDER  BERKMAN by Lola Ridge

CAN  you  see  me,  Sasha? 

I can see you. . . .
A tentacle of the vast dawn is resting on your face that floats as though detached
in a sultry and greenish vapor.
I cannot reach my hands to you . . .
would not if I could,
though I know how warmly yours would close about them.

Why?

I do not know . . .
I have a sense of shame.
Your eyes hurt me . . .
mysterious openings in the gray stone of your face
through which your spirit streams out taut as a flag
bearing strange symbols to the new dawn.

If I stay . . .
projected, trembling against these bars filtering emaciated light . . .
will your eyes . . .
that bore their lonely way through mine . . .
stop as at a friendly gate . . .
grow warm . . .
and luminous?

. . . but I cannot stay . . . for the smell . . .

I know . . . how the days pass . . .
The prison squats with granite haunches on the young spring,
battened under with its twisting green . . .
and you . . .
socket for every bolt
piercing like a driven nail.
Eyes stare you through the bars . . .
eyes blank as a graveled yard . . .
and the silence shuffles heavy dice of feet in iron corridors . . .
until the day . . .
that has soiled herself in this black hole
to caress the pale mask of your face . . .
withdraws the last wizened ray
to wash in the infinite
her discolored hands.

Can you hear me, Sasha,

in your surrounded darkness?


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